The High Seas
Ground Floor, Theta Building
1/12-14 Beresford Square
Auckland Central

Artist Information:

Jeff Burch is an American born New Zealander now based in Sydney Australia. Besides his controlled solo guitar work he runs independent Imprint/Record Label The Spring Press, has a duo project Mandala Trap with Paul Gough (Pimmon) and is also one quarter of Songs. His first solo release, recorded in 2006, is out in November through Perth label Farmer Frontier.

new weekly music evening of improvisation, noise, new music, sound art and other aural pleasures

tuesdays

contact noel meek for performance opportunities: bootlegginteacher@gmail.com

Looking for any interested musicians and sound artists to perform at new music evening at Happy:

collective

improvisation; new music; sound art; experimental aurality; hello sir/madam

tuesdays from 7pm

free entry

email noel meek: bootlegginteacher@gmail.com

Altmusic and the Dunedin Public Art Gallery are very proud to present Chris Watson, for a live multichannel diffusion mix of the pieces 'Midnight at the Oasis' and 'Oceanus pacificus'.

xNOBBQx (brisbane)
Creche (christchurch)
Wu
Not Even Owls

@ NONE! 24 stafford st/ Dunedin/ saturday 26th Nov/ $5/ 9pm.

http://none.org.nz/

http://www.facebook.com/inbox/?ref=mb#/event.php?eid=131132977171&ref=nf

http://www.myspace.com/xnobbqx

http://www.vimeo.com/5256435

A concert of live, expanded and experimental cinema from Joel Stern (Brisbane), Dirk de Bruyn (Melbourne), who are presenting Retinex Reflux, a traumatic cine-ritual performance for multiple 16mm projectors, handmade film, sound collage and unhinged mouth music.

Also featuring peformances and screenings by:

The Parasitic Fantasy Band

Saturday 13 June, 7.00pm Light Piercing the Nerve – a performance by Abject Leader (AU, 60 minutes, Exempt) Abject Leader is an ever–evolving film and music project between Sally Golding (film, projectors) and Joel Stern (concrete sound). Based in Brisbane, Abject Leader perform ‘expanded cinema’ pieces with multiple 16mm projectors. They describe the key ingredients of their performances as handmade and hand processed film, feedback systems, incongruous foley noise, sprockets and flicker, trumpets and strings, specially prepared screens and alienated narration.