political

Michel Henritzi (France), asks Kim Pieters (New Zealand), some questions for the magazine Revue & Corrigee (France).

Michel Henritzi

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M-It seems that you are very concerned about your status as a woman in the musical field, which is a male-dominated -even sexist- cultural space (as is the whole political and social system, for ex. the power structures of liberalism, which are bound to those of the patriarch ate). How do you view the situation of women in today's musical economy?

CRUDE, EFFECTIVE

Jon Bywater

http://www.listener.co.nz/issue/3432/artsbooks/5515/crude_effective.html...

Outside the moveable but reassuring guidelines of genre and tradition – perhaps especially in the white-guy tradition that likes to think it’s always about boldly going beyond them – choice paralysis and worse confront the musician who takes seriously the possibility that anything goes. Self-conscious experimentation collapses easily into convention: clownish genre hybrids, or genre fare in thin disguise (self-important club music, conspicuously).

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