Interview with Tetuzi Akiyama in 3 acts (excerpt from "haki-sou" fanzine)

Act 1

[Higashi-kitazawa station, North-east exit. MS searches in vain for the cafe Gendai Heights, wandering as far as Inokashira road. Despite having visited numerous times, he can't ever find the cafe by himself. Finally a call comes through on his cell phone]

MS: Hello? Tetuzi?
TA: Hi, Mark. Are you lost?
MS: Ummm, yes, I think I am.
TA: Well, where are you?
MS: Ahhhh, somewhere near to the North East exit I think...
TA: Oh, you didn't take the South East exit? Okay, I'll come to get you.

Interview with Tetuzi Akiyama in 3 acts (excerpt from "haki-sou" fanzine)

Act 1

[Higashi-kitazawa station, North-east exit. MS searches in vain for the cafe Gendai Heights, wandering as far as Inokashira road. Despite having visited numerous times, he can't ever find the cafe by himself. Finally a call comes through on his cell phone]

MS: Hello? Tetuzi?
TA: Hi, Mark. Are you lost?
MS: Ummm, yes, I think I am.
TA: Well, where are you?
MS: Ahhhh, somewhere near to the North East exit I think...
TA: Oh, you didn't take the South East exit? Okay, I'll come to get you.

Interview in Real Groove magazine with Shayne Carter. Febuary 2007.

carter - how many records have crude put out ? you done a lot of songs buster...

Paul Winstanley has leant his unique vision to such a wide range of projects lately. Traditional blues unit Rent Party and folk anarchists Fats White sit at the more conventionally “musical” end of the spectrum. Somewhere out the other side sits Sci Hi, his solo venture of some years standing into the pure sonography of “no-input” feedback. (Late 2004 saw a new development on a larger scale, with a highly diverting concert, under Mr W’s able baton, by the Sci Hi Arkestra.)