Lea Bertucci is an artist, composer and performer whose work describes relationships between acoustic phenomena and biological resonance. In addition to her longstanding practice with woodwind instruments, her work incorporates multichannel speaker arrays, radical methods of free improvisation and creative
misuses of audio technology applied to field recording and sampling/collage techniques. In recent years, her projects have expanded toward site-specific and site-responsive sonic investigations of architecture and acoustics, most notably in 2018’s Acoustic Shadows, a suite of compositions and sound installation that took
place as part of the Bruckenmusik Festival, inside the hollow body of the Deutzer bridge in Koln Germany. Her autodidactic and idiosyncratic approach to music is marked by dense masses of sustained dissonance and a fascination with the sonic substance of common experience through eccentric methods of field recording and collage. Tape manipulation and other creative recording techniques push the limits of the recorded medium to elicit a visceral sonic and emotional experience from the listener.
Her discography spans over a decade, with eight releases of full-length solo albums and a number of collaborative projects, notably a new project with composer Ben Vida for woodwinds, electronics, voice and tape. In 2018 and 2019, she released the critically acclaimed solo albums Metal Aether and Resonant Field on NNA Tapes and in 2021, founded her own imprint, Cibachrome Editions, with A Visible Length of Light as the inaugural release.

Sat 27 May, 8pm (with Motte)
Tues 30 May, 7pm  Lea Bertucci workshop/artist talk
Wed 31 May, 8pm (with Jessica Robinson)

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