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<title>The Audio Foundation</title>
<link>http://www.audiofoundation.org.nz/podcast</link>
<itunes:subtitle>Experimental audio culture in New Zealand</itunes:subtitle>
<itunes:summary>Podcast hub for experimental audio culture in NZ</itunes:summary>
<description>Podcast hub for experimental audio culture in NZ</description>
<language>en-au</language>
<copyright>Creative Commons</copyright>
<itunes:owner>
   <itunes:name>The Audio Foundation</itunes:name>
   <itunes:email>admin@audiofoundation.org.nz</itunes:email>
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<managingEditor>admin@audiofoundation.org.nz (The Audio Foundation)</managingEditor>
<itunes:author>The Audio Foundation</itunes:author>
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   <title>The Audio Foundation</title>
   <link>http://www.audiofoundation.org.nz/podcast</link>
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<pubDate>Thu, 17 May 2012 06:21:20 -0700</pubDate>
<lastBuildDate>Tue, 20 Nov 2007 19:05:00 -0800</lastBuildDate>
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<item>
    <pubDate>Tue, 20 Nov 2007 19:05:00 -0800</pubDate>
    <title>Sketch for Belize</title>
    <link>http://www.audiofoundation.org.nz/podcast/index.php?id=12</link>
    <guid>http://www.audiofoundation.org.nz/podcast/index.php?id=12</guid>
    <dc:creator>admin</dc:creator>
    <itunes:author>admin</itunes:author>
    <itunes:explicit>no</itunes:explicit>
    <comments>http://www.audiofoundation.org.nz/podcast/index.php?id=12#comments</comments>
    <itunes:keywords></itunes:keywords>
    <itunes:subtitle>Sketch for Belize is composed of four &#8216;field&#8217; recordings which were then processed using granular synthesis and equalization with the aid of popular computer recording program AudioMulch.

	The piece is loosely based around the experiences of </itunes:subtitle>
    <itunes:summary>Sketch for Belize is composed of four &#8216;field&#8217; recordings which were then processed using granular synthesis and equalization with the aid of popular computer recording program AudioMulch.

	The piece is loosely based around the experiences of my father (to whom it is dedicated) on an engineering project in Belize, 1982.

	Source recording 1 &#8211; Water
Source recording 2 &#8211; Percussion
Source recording 3 &#8211; Wood flute
Source recording 4 &#8211; Wood flute

	Photos by K. Bruce, 1982.</itunes:summary>

    <description>&lt;p&gt;Sketch for Belize is composed of four &amp;#8216;field&amp;#8217; recordings which were then processed using granular synthesis and equalization with the aid of popular computer recording program AudioMulch.&lt;/p&gt;

	&lt;p&gt;The piece is loosely based around the experiences of my father (to whom it is dedicated) on an engineering project in Belize, 1982.&lt;/p&gt;

	&lt;p&gt;Source recording 1 &amp;#8211; Water&lt;br /&gt;
Source recording 2 &amp;#8211; Percussion&lt;br /&gt;
Source recording 3 &amp;#8211; Wood flute&lt;br /&gt;
Source recording 4 &amp;#8211; Wood flute&lt;/p&gt;

	&lt;p&gt;Photos by K. Bruce, 1982.&lt;/p&gt;&lt;ul&gt;

    &lt;li&gt;
&lt;a href="http://www.myspace.com/rahmane  " title=""&gt;Rahmane&lt;/a&gt; :: &lt;/a&gt;
    &lt;/li&gt;

    &lt;/ul&gt;

&lt;p&gt;&lt;a href="http://www.audiofoundation.org.nz/podcast/pod/SKETCH_FOR_BELIZE_-_1982.mp3"&gt;File Download (3:41 min / 4 MB)&lt;/a&gt;&lt;/p&gt;</description>

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    <itunes:duration>00:03:41</itunes:duration>
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<item>
    <pubDate>Mon, 26 Mar 2007 19:26:00 -0700</pubDate>
    <title>Sam_Hamilton - gig for helga</title>
    <link>http://www.audiofoundation.org.nz/podcast/index.php?id=10</link>
    <guid>http://www.audiofoundation.org.nz/podcast/index.php?id=10</guid>
    <dc:creator>admin</dc:creator>
    <itunes:author>admin</itunes:author>
    <itunes:explicit>no</itunes:explicit>
    <itunes:keywords>Audio Foundation</itunes:keywords>
    <category>Audio Foundation</category>
    <itunes:subtitle>Recorded by Rohan at the Wine Cellar in St Kevins Arcade Auckland NZ on 20/3/2007.</itunes:subtitle>
    <itunes:summary>Recorded by Rohan at the Wine Cellar in St Kevins Arcade Auckland NZ on 20/3/2007.</itunes:summary>

    <description>&lt;p&gt;Recorded by Rohan at the Wine Cellar in St Kevins Arcade Auckland NZ on 20/3/2007.&lt;/p&gt;&lt;ul&gt;

    &lt;li&gt;
&lt;a href="http://www.myspace.com/samhamilton0" title=""&gt;Sam Hamilton&lt;/a&gt; :: &lt;/a&gt;
    &lt;/li&gt;

    &lt;/ul&gt;

&lt;p&gt;&lt;a href="http://www.audiofoundation.org.nz/podcast/pod/Sam_Hamilton.mp3"&gt;File Download (18:04 min / 21 MB)&lt;/a&gt;&lt;/p&gt;</description>

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    <itunes:duration>00:18:04</itunes:duration>
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<item>
    <pubDate>Mon, 19 Mar 2007 20:04:00 -0700</pubDate>
    <title>Stanier Black-Five Resonance FM show - Experimental NZ Music</title>
    <link>http://www.audiofoundation.org.nz/podcast/index.php?id=8</link>
    <guid>http://www.audiofoundation.org.nz/podcast/index.php?id=8</guid>
    <dc:creator>admin</dc:creator>
    <itunes:author>admin</itunes:author>
    <itunes:explicit>no</itunes:explicit>
    <comments>http://www.audiofoundation.org.nz/podcast/index.php?id=8#comments</comments>
    <itunes:keywords>Audio Foundation</itunes:keywords>
    <category>Audio Foundation</category>
    <itunes:subtitle>Stanier Black-Five is an ex-UK and recently New Zealand-based sound artist, DJ and writer, who largely fashions her often aurally challenging soundscapes from environmental recordings and found sounds. She has made numerous visceral perfomances in the </itunes:subtitle>
    <itunes:summary>Stanier Black-Five is an ex-UK and recently New Zealand-based sound artist, DJ and writer, who largely fashions her often aurally challenging soundscapes from environmental recordings and found sounds. She has made numerous visceral perfomances in the UK, at events such as the London Musician&#8217;s Collective&#8217;s Annual Experimental Festival, across Europe and more recently in New Zealand, playing an events such as Christchurch Arts Festival&#8217;s Bomb the Space event. Stanier Black-Five recently hosted The Soundmine radio show on Christchurch&#8217;s RDU station.  This podcast is from a show at Resonance FM in London.</itunes:summary>

    <description>&lt;p&gt;Stanier Black-Five is an ex-UK and recently New Zealand-based sound artist, DJ and writer, who largely fashions her often aurally challenging soundscapes from environmental recordings and found sounds. She has made numerous visceral perfomances in the UK, at events such as the London Musician&amp;#8217;s Collective&amp;#8217;s Annual Experimental Festival, across Europe and more recently in New Zealand, playing an events such as Christchurch Arts Festival&amp;#8217;s Bomb the Space event. Stanier Black-Five recently hosted The Soundmine radio show on Christchurch&amp;#8217;s RDU station.  This podcast is from a show at Resonance FM in London.&lt;/p&gt;&lt;ul&gt;

    &lt;li&gt;
&lt;a href="http://www.myspace.com/stanierblack5" title=""&gt;Stanier Black Five&lt;/a&gt; :: &lt;/a&gt;
    &lt;/li&gt;

    &lt;/ul&gt;

&lt;p&gt;&lt;a href="http://www.audiofoundation.org.nz/podcast/pod/01_Douglas_Lilburn_-_No_1_of_Three_Soundscapes_Birchville_Cat_Motel_-_Double_Cascade_Mini_Fantasia_Phil_Dadson_-_Airborne_Rosy_Parlane_-_Jessamine_Pt_2_Dead_C_-_The_Marriage_of_Reason_and_Squalor_Crude_-_The_Gell_II_Sam_Hamilton_-_Static_Death_Seht.mp3"&gt;File Download (60:06 min / 69 MB)&lt;/a&gt;&lt;/p&gt;</description>

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    <itunes:duration>01:00:06</itunes:duration>
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