The Object of Performance: Aural
Performativity in Contemporary Laptop Music Caleb Stuart (PDF) Adam Hyde net.labels, an introduction v 0.2 -
As presented at Version festival seminar and written while Digital Artist in Residence, Waikato University
"Plunderphonics, or Audio Piracy as a Compositional Prerogative" John Oswald - 1985
Found on http://www.plunderphonics.com/xhtml/xplunder.html
"This paper was initially presented by Oswald at the Wired Society Electro-Acoustic Conference in Toronto in 1985. It was published in Musicworks #34, as a booklet by Recommended Quarterly and subsequently revised for the Whole Earth Review #57 as 'Bettered by the borrower'. "
