Mela generates a mellifluous musical microclimate using obsolete and discarded sound sources to liberate layers of repeating melodies, gradually effected drones, and suitably unrecognisable beats.

Mela revels in the unexpected: performances are the combination of an almost obsessive degree of preparation with the random interjections from misbehaving equipment.

Preparation and indeterminacy battle it out under Mela's "play like Lomo" aesthetic.